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Field Recordings of the Periphery Research Center

by Jorge E. Bañales

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Entering 05:11
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Contact 02:08
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Last Summer 04:18
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Leaving 05:45
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Locals Only 04:33
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Sequencer 02:32
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about

In audacious defiance of naysayers and propelled by a relentless fervor, the Periphery Research Center (PRC) proudly unveils its experimental opus, a compendium of boundary-dissolving field recordings meticulously curated for the esoteric connoisseurs within the discerning echelons of the PRC community. This collection stands as a testament to the institution's idiosyncratic prowess, having graced the stages of various avant-public university soirees nestled in the heart of a suburban county adjacent to a prominent Mid-Atlantic metropolis.

Equipped with a kaleidoscopic arsenal of sonic implements — ranging from hyper-directional cardioid microphones to vintage portable Nakamichi cassette tape recorders, customized reel-to-reel Studers, bespoke acoustic transducers, and state-of-the-art modular Eurorack synth samplers — PRC's alchemists traverse a sonic lexicon, selectively deploying their array of tools, each imbued with its own cryptic signature, not all of which find resonance in their creative odysseys.

These meticulously crafted analog artifacts, transubstantiated into ethereal digital entities through an esoteric proprietary conversion process, encapsulate not merely one of many auditory expeditions but undoubtedly one of the PRC's quintessential sojourns. Embarking on these multisensory odysseys, participants traverse liminal interstitial spaces behind urban domiciles, meander through the verdant vestiges of deciduous arboreal sanctuaries, navigate the chiaroscuro of spectral shadows beneath elevated thoroughfares, and embark on expeditions across the desolate canvases of decaying expanses of pavement.

The confluence of attendees reads like a lexicon of the avant-garde: transient drop-ins; enigmatic drop-outs; cybernetic archaeologists; spectral-image gatherers; and adherents of the esoteric doctrines of Hippolyte Baraduc and Arthur Machen, among other luminary trendsetting icons. Like most of its individual denizens, PRC perennially teeters on the precipice of fiscal exigency, accreditation tribulations, and the specter of misguided intellectual property lawsuits.

Nestled within the hallowed precincts of an Art School, the PRC bequeaths to its aspirants an extensive arsenal of image-capturing apparati, including conventional 35mm as well as semi-medium-format cameras, infrared quadratic lenses, quasi-lithographic slates, Kirlian photography instruments, bioprimpression processes, spectral resonance devices, visual microphone arrays, parapsychological resonance collectors, and forays into instant cerebral collection.

The arcane realms of study within the PRC's purview encompass telepathic transmissions, hypnotic resonances, ephemeral apparitions, spectral hauntings, divination practices (including the enigmatic art of dowsing), ufological explorations, ancient astronaut conjectures, gnostic-adjacent doctrines, supernatural phenomena, extrasensory perception inquiries, and incantations of untested spells.

Augmenting this already eclectic tapestry are niche concentrations such as synthetic kharmaceutical meso-dosing, hydroponic methodologies for both alimentary and non-alimentary utilities, and pre-alchemical arrangements. At times accused of fomenting the proliferation of secret societies, the PRC remains a crucible of forward-looking creativity, birthing graduates not only fluent in the critical vernacular of global art institutions and academia but also endowed with the acumen to autonomously curate and articulate their projects in a parlance that seamlessly dovetails into compelling funding applications while perpetuating the inimitable spirit of the PRC's legacy.

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released February 9, 2024

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Jorge E. Bañales Alexandria, Virginia

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